Sporty and wild, the guitars in this cut show off but never miss a beat while the big beat drums and fly-by synths stutter and pop like paparazzi's flash bulbs. After :30 there's a pulsing breakdown that builds to a photo finish.

Gritty like the streets of Detroit, the guitars and violins in this piece circle each other like members of opposing gangs while siren-like noises swirl in the background. The tension builds and builds...

More snotty than a punky teen with a pierced face and a mohawk. Pounding drums, grinding guitars and bass get the message across loudly. Plenty of breaks and plenty of speed.

Twenty tons of barreling guitars and drums, this one screams down the highway and stops for nothing and nobody. Played by musicians with genuine dreadlocked, red goatees and an evil, manic look in their eyes.

Stuttering guitars and high-test synths race around the track driven by a breakbeat engine. Classic rock lead guitar break at :14 and another more minimal breakdown at :38.

Big crunchy guitars lash out at a teasing wah guitar while analog synths growl their encouragement. The whole dogfight is shoved along by a pulsating synth bass and drums the size of monster trucks.

Nasty but efficient distorted bass drives this big beat track. Synths and odd noises pop in and out. Big breakdown at :37.

Choppy guitars, slap bass and a breakbeat negotiate hairpin turns. A slightly calmer heroic section comes in briefly at :14, then the frenzy returns. Longer breakdown from :30 to :44.

Big guitars run the half-pipe chased by an industrial beat. Head banging fun for the whole family. Breakdown at :30.

Bad like a purple Caddy with gold trim, this cut cruises the street looking for trouble. DJ-style scratching, guitars that cut like a switchblade and a beat that struts, never runs. Lots of hits and stings. Big scratch break from :30 to :44.

Like an alien probe, this cut is filled with sharp and unpleasant things. Laser-like guitars, spacey sound design. Really kicks in at :14 with a robotic beat, breaks down from :30 to :46, then comes back for more.

Squelchy synths and evil guitars over an industrial beat race around the motherboard til they cause a temporary breakdown at :20. At :30, there's a brief positive moment with vaguely military drums and heroic guitars and bass, but the evil comes back at :43.

Wicked metal guitar, DJ scratches, filtered sweeps, electric shock stabs and a staggering beat all tell you you're in deep trouble and getting deeper by the second.

The Iceman cometh and he ain't happy. An icy bass grinds against a pounding beat but gives way to glassy smoothness at :09. The grinding returns at :18, this time with a sandpapery DJ scratch. There's another break at :30 but the grinding comes again at :39, this time with even more scratching.